Murals of Oklahoma

George Biddle a old classmate of President Roosevelt wrote a letter to him dated May 9, 1933 that noted the achievements of Mexican muralists such as Diego Rivera and suggested that young American artist should be able to express American ideas of history and culture on public buildings and walls of America. Although not a new concept to the president it did however strike a cord with him and the president then convince the New Deal officials to accept a program that would put the artist back to work as well as “bring art back to the common man” [6]

In 2003-2004 a Thematic survey was conducted by the Department of Geography, Oklahoma State University. Because of this survey it was found that there was 37 art projects from the New Deal Area. The following table shows those 37 art projects and others that were significant to the New Deal.  

In the late 1930s Congress began to question New Deal expenditures, specially federal funding for the arts. With another factor of the future of the arts project was world tension and the fear of coming war. Because of these stresses to the Section of Fine arts of the WPA, administrators believed if war came that artists could be employed directly by the military and used to bolster national and military morale. The Chief of the Treasure Relief Art Project from 1935 to 1938 asked military officials to take on a group of painters to make a record of the war. In July 1940 the army established a Moral Division in the Adjutant General’s Office that was redesignated the Morale Branch and many artists from painters and entertainers were drafted into the special service work during World War II.

CityBuildingAddressArt Work
TahlequahCherokee Female Seminary1. Kiowa Buffalo Hunt.
2. Kiowa War Dance.
EnidGarfield County Courthouse114 W. Broadway Street, EnidMural Cycle:
Trail Blazers of the Cherokee Strip; The Hunting Trail; The Exporer’s Trail; The Cattle Trails; The Commerce Trail; The Homemaker’s Trail; The Rancher’s Trail.
ChickashaHealth and Physical Education Building1700 Blocks of S. 17th Street, ChickashaMural Cycle:
Buffalo Dancers; Moving Camp – Room 201.
Indian Spear Dancer; Dancer with Headdress – Room 202.
Drummer (Destroyed); Thunderbird.
Oklahoma CityOklahoma Supreme Court House2100 N. Lincoln Blvd, Oklahoma City1. Choctaw 1843 – Spencer Asah. (1937)
2. Secotan 1650 – Spencer Asah. (1937)
3. Kiowa 1920 – Monroe Tsatoke. (1937)
4. Cheyenne 1832 – Monroe Tsatoke. (1937)
5. Kiowa 1832 – Monroe Tsatoke. (1937)
6. Osage 1839 – Monroe Tsatoke. (1937)
7. Kiowa 1900– Monroe Tsatoke. (1937)
8,9. Sheild Designs – Monroe Tsatoke. (1937)
10. Comanche 1880 – Monroe Tsatoke. (1937)
AnadarkoUS Post Office120 S. First Street, AnadarkoMural Cycle by Stephen Mopope (1937)
CordellUS Post Office121 E. First Street, CordellThe Scene Changes by Ila McAfee Turner (1938)
SayreUS Post Office201 N. Fourth StreetThe Opening of the Cheyenne and Arapaho Country by Vance Kirkland (1940)
VinitaUS Post Office/Courthouse120 E. Illinois Ave.Cherokee History by Randall Davey (1941)
NowataUS Post Office109 N. Pine StreetThe Rainbow Trail by Woody Crumbo (1943)
OkemahUS Post Office418 W. Broadway StreetGrand Council of 1842 by Walter Richard West (1941)
WatongaUS Post Office121 N. Noble AveRoman Nose Canyon by Edith Mahier (1941)
WeatherfordUS Post Office107 E. Franklin AveTerminus of the Railroad by Oscar E. Berninghaus (1939)
NormanJacobson Hall, OU550 Parrinton OvalThirty Carved Oak Panels Illustrating Life and Art Styles from the Cave Man through the Steel Worker by Derald Swineford, Anita Furray, Margaret Giles, and Paul McBride (1934-45)
Oklahoma CityWilson Elementary School2215 N. Walker AveNursery Rhyme Characters by Audre Yates (1934).
The Circus by Audre Yates (1934).
Dancer attributed to Herbert White Buffalo (1940).
Woman Making Baskets by Acee Blue Eagle (n.d.).
Knife Dancer by Acee Blue Eagle (n.d.).
Ready for the Hunt by Acee Blue Eagle (n.d.).
NormanAdams Hall, OU307 W. Brooks Street8 Panels originally produced.
SeminoleUS Post Office120 E. Oak AveSeminole Indian Village Scene by Acee Blue Eagle (1939)
CoalgateUS Post Office38 N. Main StreetWomen Making Pishafa by Acee Blue Eagle (1942)
MariettaUS Post Office118 W. Main StreetChickasaw Family Making Pah Sho Fah by Soloman McCombs (1942)
DrumrightUS Post Office118 N. Ohio AveOklahoma Land Rush by Frank Weathers Long (1941)
MadillUS Post Office223 W. Lillie BlvdPrairie Fire by Ethel Magafan (1940)
StilwellUS Post Office16 S. Second StreetCherokee Indian Faming and Animal Husbandry by Olga Mohr (1942)
SulphurUS Post Office1100 W. Second StreetThe Romance of the Mail / The Mail in the Old Cattle Country by Albert Turner Reid (1939)
PawhuskaUS Post Office137 E. Sixth StreetOsages (Treaties – Osage Indians) by Olive Rush (1938)
WaurikaUS Post Office121 W. Broadway AveCanadian Honkers by Theodore Van Soelen (1939)
HollisUS Post Office120 N. Second StreetMapping the trail by Lloyd Lozes Goff (1941)
MarlowUS Post Office320 W. Main StreetCattle Days by Lew E. Davis (1942)
WewokaUS Post Office115 W. Second StreetHistorical Background of Wewoka by Marjorie Rowland Clarke (1941)
PurcellUS Post Office228 W. Main StreetThe Round-up by Frederick E. Conway (1940)
PoteauUS Post Office115 N. Witte StreetCotton by Joan Cunningham (1940)
MuskogeeMcCombs Hall, Bacone College2299 Old Bacone RoadBuffalo Hunt by Stephen Mopope (1934).
War Dance by Stephen Mopope (1934). Were moved from original location)
MuskogeePalmer Center, Bacone CollegeIndian Pictorial Writing by Acee Blue Eagle (1937).
Sequoyah Teaching His Alphabet by Acee Blue Eagle (1937). No evidence exists that these are New Deal Art and the Current are reproductions.
TulsaBerryhill Elementary School3128 S. 63rd StreetIchabod Crane by Mary McCray (1934).
Uncle Remus by Mary McCray (1934).
ClintonCity Hall415 Gary BlvdRace for Land by Loren N. Mozley (1938). (moved from original location of Us Post Office).
HugoAdministrative Offices, Hugo Public Schools208 N. Second StreetThe Red Man Of Oklahoma Sees the First Stage Coach by Joseph A. Fleck (1937). Move from original location of post office.
PerryCherokee Strip Museum2617 W. Fir StreetRange Branding Down by the Big Tank by Thomas M. Stell, jr. (1941). moved from original location of post office.
EdmondCity Hall100 E. First StreetPre-Settlement Days by Ila McAfee Turner (1939) moved from it’s original location of post office
IdabelPost Office201 E. Central AveThe Last Home of the Choctaw Nation by H. Louis Freund (1940) moved to new post office (not confirmed)
TahlequahUS Post Office1101 S. Muskogee AveChoctaw Ball-Play by Manuel Bromberg (1939)
GuymonNo Man’s Land Historical Museum207 W. Sewell StreetHarvest by Jay Risling (1939)
YukonUS Post Office900 Garth Brooks BlvdThe Run, April 22, 1889 by Dahlov Ipcar (1941)
StillwaterUS Post Office720 South Husband StreetEarly Days in Payne County by Grace L. Hamilton (1963). Although not directly New Deal art, it may represent an enduring legacy of it [2].
WeatherfordAl Harris Library809 N. Custer StreetKiowa Indian Dancers by Stephen Mopope (1931). Although not commisioned by New Deal art project it represents Stephen Mopope’s earlier work.
Oklahoma CityOklahoma Museum of History (storage)Indian Friendship by James Auchiah (1934). Moved from original location of Information Room of the Office of the Superintendent of the Five Civilized Tribes Agency Federal Building, Muskogee.
ClaremorePost Office (New)Will Rogers by Randall Davey in 1939.
Fort SillFort Sill Museum StorageAs We Follow the Red Guidon (1943) Dean Ryerson

Sources:

  1. National Archives – https://catalog.archives.gov/id/70170110
  2. Thematic Survey of New Deal Era Public Art in Oklahoma 2003-2004.
  3. New Deal Art: The Oklahoma Experience 1933-1943 by Barbara Kerr Scott Ph.D and Sally Bradstreet Soelle Ph.D.
  4. https://www.wikiwand.com/en/List_of_United_States_post_office_murals
  5. 1934: A New Deal for Artists Guide for Educators
  6. Documentation of Mural Building 4720 U.S. Army Field Artillery Center, Fort Sill Military Reservation, Oklahoma, by Joe C. Freeman, 1995.
  7. https://www.historynet.com/the-kiowa-five/

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